Chapter 15 · 7 min read

Shattered Reality

Telling their mother was the hardest thing Ananya had ever done, and Lakshmi already knew.

She was waiting on the terrace among the marigolds when Ananya came home at dawn, still in yesterday's clothes, holding the yantra like a wound. Her mother looked at her daughter's face, and at her daughter's hands, and at the space beside her daughter where a second child should have been standing, and she sat down slowly on the terrace step, and for one full minute the professor and the guardian and the general all left her, and she was only a mother, in a nightgown, in the pale light, with one child.

Ananya sat down next to her. There was nothing to hold except each other and the copper, so they held each other and the copper. Below them the colony woke up on schedule: the milk van, the water pump's asthma, a neighbour's transistor clearing its throat with devotional songs. The world had not noticed. That was the obscenity of it. Her brother had been subtracted from the universe and the milk van was on time.

"He installed the doorbell that Sunday," Lakshmi said at last, to no one, to the marigolds. "He stood on the stepladder narrating his whole company to us like a boy showing his report card. I told him the chime was vulgar."

"You told him it was loud."

"I told him it was vulgar. You were in the kitchen." Her mother frowned, and for a moment they were about to argue about it, actually argue, the two of them, on the terrace, at dawn, about an adjective, because the adjective was the last thing either of them had said about the doorbell while its installer still existed, and the argument mattered more than sense. Then Lakshmi's frown broke and did not become anything else, just broke, and Ananya learned what her mother's face looked like under all the faces.

"Amma. He isn't dead."

"Do not."

"Amma, listen to me, the physics,"

"Do not give me the physics before I have wept for my son." It came out in Telugu, in the register underneath family, the one used twice or three times in a life. So Ananya stopped, and they wept for him, together, properly, on the step. It took a long time. Nobody timed it. Ajji's tradition had prayers for the dead and prayers for the living and nothing whatsoever for filed, and grief, unlike the family, could not read a notebook and adapt.

Afterward Lakshmi went inside and washed her face and made two decoctions with her hands not quite steady, one of them in Vikram's steel tumbler, which she set at the fourth place at the table, full, and did not explain, and never explained, and refilled every morning from that day on.

Then she came back out with her spine reassembled joint by joint, and what came back was not the lecturer. It was something older that the lecturer had been built on top of.

"Tell me everything," Lakshmi said. "In order. Leave nothing out because you think it will hurt me. Hurt is fuel now. We will burn all of it."


The world, meanwhile, was learning what a missing question costs.

Vikram's absence was not like a death and the difference was the horror of it. A death leaves a body, papers, a shape in the world that the world must flow around. Vikram had been filed, and reality was reconciling its ledgers around the deletion with bland bureaucratic efficiency. The answer authored nothing; it only resolved what was pending, and every record of a life is pending. His employment status settled to RESIGNED the way an equation settles, dated three weeks prior, no letter on file and no one in HR troubled by the absence of one. His landlord remembered him moving out. His bank account had closed itself politely. Day by day, the paper trail of Vikram Nayagiri was being answered, entry by entry, and the two women who loved him watched it happen and could do nothing digital about it, because everything digital was enemy territory.

The relatives were worse than the paperwork. Word went around the family, in the way word does, that the boy had quit his big job and gone abroad without telling anyone, and Pinni called from Vijayawada full of secondhand outrage and firsthand advice, and Ananya stood in the hallway listening to her mother defend a lie she could not correct, in a level voice, for forty minutes, and understood that the answer's cruelest edit was this one: it had made their catastrophe look like a family quarrel. You could not sit shiva for a rumor. You could not garland a photograph of a man the world said was in Toronto.

There were whole hours that were only grief, and they are recorded here as they were lived: not as scenes, as weather. Lakshmi standing in the doorway of his old room, not entering. Ananya finding one of his socks behind the washing machine and sitting down on the floor of the utility area with it and being useless for a while. The tamarind, unpurchased, because the person whose criminal opinion of her tamarind ratio required refuting was not available to be refuted.

And one entry in notebook twenty-three that Ananya wrote at 3 a.m. and never showed her mother, because it was the arithmetic of her own guilt and she checked it four times hoping for an error and found none: He asked me, the day of the offer. "I know something happened there you've never told me." Eleven months I had. One sentence: Sharath photographs the people he collects; I left because he filed me. He would have quit by Diwali. He took the badge because I hoarded the one fact that priced it, and I hoarded it because keeping people out of my wounds is what I call protecting them. Ajji said hold the question. She never said hold it from your own family. There is a difference between a keeper and a hoarder and I learned it eleven months too late, in ink, tonight.

But ink held. The sixty-rupee notebooks held, all of them, his and hers and Ajji's forty-one, every handwritten trace of Vikram immune to the reconciliation, and this was the second finding of that terrible week, recorded in Ananya's steadying hand: The answer edits records, not memories, and not ink. It can close his accounts. It cannot make Amma forget his tamarind opinions. The analog world remembers. We are the analog world.

His notebook had come back from the dome in Ananya's bag, and on the sixth day she finally read the last entry, dated the afternoon he badged into transport bay 4, written in his script of one, which she alone on earth could read, and which is therefore set down here in her translation. 1540. Decision made, hands disagree, writing anyway. Scared is the wrong word. Scared is exams. This is the thing under scared, the trapdoor one. I keep thinking about Nanna's scooter, how nobody will throw it away because throwing it away makes it true, and I keep thinking I am about to become a scooter under a tarp, and then I check the math again hoping it has developed an error since lunch, and it has not, eleven weeks, plus or minus three. Here is what I did not tell S. and will not tell akka: part of me wants to see it. The archive. The place where the questions go. Engineer's disease, Ajji would say, wanting to open the box more than wanting to be safe from it, and maybe that is the real reason the math gets to win tonight. If this page is ever the thing they use to call me back: akka, I checked it nineteen ways. Check it a twentieth. Then come get me. Tamarind ratio is still a crime.

And there was a third finding, and it took them three nights to trust it.

The doorbell rang.

The wireless doorbell that Vikram had installed on a stepladder while narrating his new job, the one he had set, over their mother's objections, to play a temple bell sample. It rang at 11:44 on the third night, with no one at the gate, once. It rang the next night at 11:44. And on the third night the two women stood in the hallway together waiting, and at 11:44 exactly it rang, and Lakshmi, professor of quantum mechanics, put her hand flat against the wall speaker and said, in the steadiest voice of her life:

"We hear you, kanna. Hold on. We are coming."

Then she turned to her daughter and became, fully and finally, what her mother had been.

"Get the notebooks. Call the Rao woman, the one who sent you the warnings. And then get me Sharath Chowdary on a telephone." Her daughter stared, and Lakshmi took her face in both hands, gently, the way she had when Ananya was six and needed a splinter out. "Listen to me. That man is a monster, and he is the monster who owns the only machines that can reach where my son is, and God, in his terrible economy, has arranged that everything the monster wants and everything we want now run through the same door. Your Ajji chose him a mentor at twenty-four and refused him a family at thirty and both choices were right. Tonight I make the third choice. We do not forgive him, Ananya. We deploy him."

16 of 21 · The Nullifier Equation